Timber and Trims

Process

How it’s made

Every pair moves through the same five stages on its way from raw wood to finished frame. Nothing is automated — each step is done by hand, one temple at a time.

Raw pieces of wood lumber ready to be cut into eyeglass temple blanks

1. Choosing the wood

Every piece starts with a select piece of timber, hand picked for its grain, color, and how it will pair with a frame front. No two blanks are identical, so no two finished temples are either.

An assortment of inlay material in various colors and patterns, laid out before being set into wood temples

2. Designing the inlay

For pieces with a stripe, or mosaic accent, the inlay is laid out first. Thin strips of leftover wood and plastic frame parts are arranged into chevrons, checkerboards, or rainbow bands before they're set permanently into the temple.

A wood temple with rough inlay pieces set in place before sanding and finishing

3. Hand-setting the details

Each inlay is cut, glued, and sanded flush by hand—a slow process where a fraction of a millimeter can mean the difference between a seamless finish and one that feels just slightly off.

Close-up of a wood temple with checkerboard mosaic inlay resting on a metal workbench fixture

4. Shaping & finishing

Once the inlay is set, each temple is shaped to its final curve, sanded through progressively finer grits, and finished with oil to bring out the grain and protect the wood for everyday wear.

Finished eyeglasses with walnut wood temples and checkerboard mosaic inlay, shown on a workbench

5. Fitting to the frame

The finished wood temples are hinged onto a frame front and carefully adjusted for fit. I balance the weight, set the splay angle and pantoscopic tilt, and make sure the grain of the wood complements the color and character of the front. The result is something that sits comfortably on the face while still feeling like a handmade object—part craftsmanship, part eyewear.